Balazs is a master at creating highly detailed sculpts and this is no exception. In this tutorial Balazs Domjan will guide you through his creation process of sculpting an Antique Japanese Dragon Vase in ZBrush.
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Whether it’s organic models or hard surface, ZBrush is an incredibly diverse tool and when used to it’s full potential can produce stunning results. ZBrush is one of the most powerful tools when it comes to creating 3D art. His focus on hyper realism and understanding of how assets are build makes him adept at creating visual benchmarks with Zbrush.Īntique Japanese Dragon Vase in Zbrush | Balazs Domjan With experience working in AAA and a keen eye for attention to detail, Phil has the skill and knowledge to teach you some of the core aspects when it comes to sculpting in Zbrush. Phil has contributed to a variety of titles such as Shadow of War, Halo 5, Guild Wars 2 and most recently God of War. Phil Lui is currently a 3D artist working at Valkyrie Entertainment.
In this tutorial, Phil Liu, will guide you through his process of sculpting assets using Zbrush, demonstrating his various techniques when it comes to an organic asset, combining various workflows as well as setting up a pleasing presentation scene for your sculpts as presentation is key. Sculpting is an extremely powerful tool every artist should have in their arsenal. Users are expected to be familiar with the software. Her focus on hyper realism and understanding how assets are built makes her adept at creating visual benchmarks with Zbrush. With experience working in AAA and a keen eye for attention to detail, Ivanna has the skill and knowledge to teach you some of the core aspects when it comes to sculpting in Zbrush. Ivanna Liittschwager is an Environment Artist at Sony Santa Monica. Whether you’re a seasoned artist, student, hobbyist or someone just starting out, grab this tutorial and learn an essential workflow that will allow you to work faster and more efficiently. In this tutorial Ivanna Liittschwager, will guide you through her process of sculpting assets using Zbrush, combining various workflows for creating wood, metal, brick work and more to craft this Hobbit Home. Sculpting for games is unrivaled when it comes to visual quality and adding that artistic personal touch to your assets.
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It would be done in another more suited software such as C4D/3ds Max/Maya/Blender/etc.ENVIRONMENT SCULPTING FOR GAMES | IVANNA LIITTSCHWAGER That final re-topology would not typically be done in ZBrush or Mudbox. Topology concerns are not truly considered until after your sculpt is complete and ready for map extraction to a lower poly, optimized mesh that has UVs. ZBrush and Mudbox are both awesome tools for sculpting your characters in a free-form way without having to worry about topology (except to better facilitate your sculpting requirements). This extraction can easily be done in Mudbox. You would then extract normal/displacement/bump maps from your sculpted mesh to be applied to your retopologized mesh from step 2. The retopologized mesh would have significantly fewer polygons than your sculpted mesh, would have an optimized edge flow for animation and would need to have UVs.ģ. This retopology would be done in a modeling package like C4D/3ds Max/Maya/Blender/etc.
Your final sculpt from step 1 would then be retopologized to meet the needs of the target pipeline (i.e., games or film). Or, you can do as we discussed in the previous posts and start with a Mudbox sphere that you would re-topologize in Mudbox as your sculpt developed and required adjustments to its polygons (e.g., overstretched polygons).Ģ. Sculpt your character - You can start with a base mesh that you created in a package like C4D/3ds Max/Maya/Blender/etc. The process (in its most general terms) would be as follows:ġ. Whether you use ZBrush or Mudbox, you will most likely need to re-topologize your final sculpt for animation.
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